2013. Corrugated iron, branches, sandbags, earth, plywood, hessian, black fabric,woollen coats, bolts, wire, string. 515 x 260 x 260 cm.
Three sculptural installations – claustrophobic, defensive spaces reminiscent of military bunkers – were built in the gallery, and individuals and groups in Harlow invited to make use of them. Here is an opportunity to examine the meaning of selfhood and togetherness, developing the idea of a community art gallery as a place of meeting and action.
2013. Concrete, aggregate blocks, mortar, plywood. 275 x 210 x 135 cm.
Three sculptural installations – claustrophobic, defensive spaces reminiscent of military bunkers – have been built in the gallery, and individuals and groups in Harlow are invited to make use of them. Here is an opportunity to examine the meaning of selfhood and togetherness, developing the idea of a community art gallery as a place of meeting and action.
2013. Corrugated iron, branches, sandbags, earth, plywood, hessian, black fabric,woollen coats, bolts, wire, string. 515 x 260 x 260 cm.
Three sculptural installations – claustrophobic, defensive spaces reminiscent of military bunkers – have been built in the gallery, and individuals and groups in Harlow are invited to make use of them. Here is an opportunity to examine the meaning of selfhood and togetherness, developing the idea of a community art gallery as a place of meeting and action.
2013. Wood, plasterboard, plaster, carpet tiles, doors, hinges, handles, locks, security cameras, paint, nails, screws, electrical conduit, switches, sockets, light fixtures, table, chairs, intercom system. 610 x 510 x 260 cm.
Three sculptural installations – claustrophobic, defensive spaces reminiscent of military bunkers – have been built in the gallery, and individuals and groups in Harlow are invited to make use of them. Here is an opportunity to examine the meaning of selfhood and togetherness, developing the idea of a community art gallery as a place of meeting and action.
Solo exhibition
Gibberd Gallery
19 June-23 August 2013
The Watergardens, Harlow, Essex
Three sculptural installations – claustrophobic, defensive spaces reminiscent of military bunkers – have been built in the gallery, and individuals and groups in Harlow are invited to make use of them. Here is an opportunity to examine the meaning of selfhood and togetherness, developing the idea of a community art gallery as a place of meeting and action.
Image: Bunkers 1,2 & 3
Group exhibition
University of Leicester Botanic Garden
Curated by Almuth Tebbenhoff
July to October 2012
Image: ‘Everything Is Under Control’
One of two installations at ‘Interesting Times’
2012. Garden shed, fluorescent paint, barrier tape & fencing. 250 x 1000 x 1000 cm.
“Everything is under control. There is nothing to see. For your safety and security do not stop to take photographs. Please keep moving. There is no cause for concern. The appropriate authorities have been informed.”
2012. Sandbags, chipboard, steel spheres. 420 x 198 x 180 cm.
6th April – 3rd May 2012
ASC WindowSpace
Erlang House
128 Blackfriars Road
London SE1 8EQ
2009. Stainless steel & lacquer. 320 (w) x 320 (d) x 320 cm (h)
Project for Spitalfields. Flowers are not only a reminder of the mathematics that lurks beneath appearances, but have also always been potent symbols. The title invites the viewer to use that language of flowers to unpick the history of this place.
2009. Polyurethane and stainless steel. 600 x 400 x 120 cm.
Sculpture commission for City Offices, London. A shimmering cloud of watery ripples is created from fifty custom-made, giant, fresnel lenses, which multiply and magnify the view of the street, transforming it into a piece of kaleidoscopic cinema.
2009. Polyurethane and stainless steel. 600 x 400 x 120 cm.
Sculpture commission for City Offices, London. A shimmering cloud of watery ripples is created from fifty custom-made, giant, fresnel lenses, which multiply and magnify the view of the street, transforming it into a piece of kaleidoscopic cinema.
2009. Polyurethane and stainless steel. 600 x 400 x 120 cm.
Sculpture commission for City Offices, London. A shimmering cloud of watery ripples is created from fifty custom-made, giant, fresnel lenses, which multiply and magnify the view of the street, transforming it into a piece of kaleidoscopic cinema.
2007. Plywood, emulsion paint, fluorescent light. Dimensions variable.
How frequently do we see what we have learnt to see, rather than what is actually there? In this installation, Light, and our perception of it, is both subject and medium. Is one half of the wall darker, or is the other lighter? A relativistic optical illusion conceals the underlying unity. In the context of Delhi, a city that I experienced as deeply segregated, the work reminds us of the importance of a shared conception of space. Installation created at KHOJ studios in Delhi, during an Arts Council International Fellowship.
2007. Plywood, emulsion paint, fluorescent light. Dimensions variable.
How frequently do we see what we have learnt to see, rather than what is actually there? In this installation, Light, and our perception of it, is both subject and medium. Is one half of the wall darker, or is the other lighter? A relativistic optical illusion conceals the underlying unity. In the context of Delhi, a city that I experienced as deeply segregated, the work reminds us of the importance of a shared conception of space. Installation created at KHOJ studios in Delhi, during an Arts Council International Fellowship.
