Tag: 2011

  • Incarnate

    Incarnate

    Solo exhibition.

    The Print Room

    16th November – 17th December 2011

    34 Hereford Road
    London W2 5AJ

  • Relic

    Relic

    2011. Acacia wood. 168 x 27 x 25 cm.

  • Life Sentence

    Life Sentence

    2011. Mixed Media. 120 x 110 x 80 cm.

  • Host

    Host

    2011. Jelly – 50 x 30 x 30 cm.

    We are meat, infected by language.

  • Sculptour

    Sculptour

    Group show

    Beukenhof-Phoenix Gallery

    1st May – 30th September 2011

    Beukenhof-Phoenix, Ronde van Vlaanderenstraat 9-11, B-9690 Kluisbergen, Belgium.
    Open daily 14.00 – 19.00 hrs.

    Image: Chief

  • Mercer-RBS

    Mercer-RBS

    Mercer Residencies Exhibition
    Nick Turvey & Anne Mercedes

    RBS Studio Gallery

    15th August – 23rd September 2011

    108 Old Brompton Road
    London SW7 3RA

     Image: What do you want to be when you grow up?

  • The Binding Problem

    The Binding Problem

    2011. Carrara marble. 80 x 65 x 65 cm.

    Dying in his cell or hospital bed, trapped in memories, Beckett’s character Malone recounts: “When I open staring wide my eyes I see at the confines of this restless gloom a gleam and shimmering as of bones, which was not hitherto the case, to the best of my knowledge. And I can even distinctly remember the paper-hangings or wallpaper still clinging to the walls in places and covered with a writhing mass of roses, violets and other flowers …”.

  • The Binding Problem

    The Binding Problem

    2011. Carrara marble. 80 x 65 x 65 cm.

    Dying in his cell or hospital bed, trapped in memories, Beckett’s character Malone recounts: “When I open staring wide my eyes I see at the confines of this restless gloom a gleam and shimmering as of bones, which was not hitherto the case, to the best of my knowledge. And I can even distinctly remember the paper-hangings or wallpaper still clinging to the walls in places and covered with a writhing mass of roses, violets and other flowers …”.

  • The Binding Problem

    The Binding Problem

    2011. Carrara marble. 80 x 65 x 65 cm.

    Dying in his cell or hospital bed, trapped in memories, Beckett’s character Malone recounts: “When I open staring wide my eyes I see at the confines of this restless gloom a gleam and shimmering as of bones, which was not hitherto the case, to the best of my knowledge. And I can even distinctly remember the paper-hangings or wallpaper still clinging to the walls in places and covered with a writhing mass of roses, violets and other flowers …”.

  • Dream

    Dream

    2011. White marble –  42 x 48 x 25 cm.

  • Dream

    Dream

    2011. White marble –  42 x 48 x 25 cm.

  • Dream

    Dream

    2011. White marble –  42 x 48 x 25 cm.

  • Pietrasanta

    Pietrasanta

    RBS Members working in Pietrasanta. Group Show.

    Chiostro di Sant’ Agostino 

    26th March – 10th April 2011.

    Hanneke Beaumont, Robin Bell, Nicolas Bertoux, Helaine Blumenfeld, Eppe de Haan, Maria Gamundi, Sylvestre Gauvrit, Anat Golandski, Barbara Hodgkins, Immanuel Klein, Briony Marshall, Ron Mehlman, Nicolas Moreton, Louise Plant, Shelley Robzen, Cynthia Sah, Inger Sannes, Eja Siepman van der Berg, Matthew Simmonds, Almuth Tebbenhoff, Nick Turvey, Julia Vance, Maja van Hall, Jill Watson, Lars Widenfalk

    Pietrasanta, Italy.
    Tuesday – Sunday 16.00 – 19.00 hrs

    Image: ‘What do you want to be when you grow up?’ at Studio Sem

  • National Sculpture Prize

    National Sculpture Prize

    2011 National Sculpture Prize. Finalists exhibition.

    Broomhill Art & Sculpture Foundation

    June 1st 2011 – Feb 28th 2012

    Muddiford Rd, Barnstaple, North Devon, EX31 4EX.
    Open daily.

    Image: Conscience

  • Conscience

    Conscience

    2011. Bronze resin & nylon rope – 200 x 64 x 60 cm.

    What interests me is the embodied nature of consciousness, the fact that our sense of ourselves is the product of a visceral, muscular materiality. Yet, at the same time, this body can seem like a prison, in which we are shackled by brutish desires and appetites. Identity is not monolithic. The brain and body are a parliament. It is a constant struggle, a dialogue, a story. We believe whatever we must, in order to continue living.

  • Conscience

    Conscience

    2011. Bronze resin & nylon rope – 200 x 64 x 60 cm.

    What interests me is the embodied nature of consciousness, the fact that our sense of ourselves is the product of a visceral, muscular materiality. Yet, at the same time, this body can seem like a prison, in which we are shackled by brutish desires and appetites. Identity is not monolithic. The brain and body are a parliament. It is a constant struggle, a dialogue, a story. We believe whatever we must, in order to continue living.

  • Conscience

    Conscience

    2011. Bronze resin & nylon rope – 200 x 64 x 60 cm.

    What interests me is the embodied nature of consciousness, the fact that our sense of ourselves is the product of a visceral, muscular materiality. Yet, at the same time, this body can seem like a prison, in which we are shackled by brutish desires and appetites. Identity is not monolithic. The brain and body are a parliament. It is a constant struggle, a dialogue, a story. We believe whatever we must, in order to continue living.