Tag: 2010

  • Everywhere I Go

    Everywhere I Go

    2010. Stainless steel & polypropylene rope. 200 x 200 x 200 cm.

    Project for Wuxi.

  • Everywhere I Go

    Everywhere I Go

    2010. Stainless steel & polypropylene rope. 200 x 200 x 200 cm.

    Project for Wuxi.

  • Aeolus

    Aeolus

    2010. Corten steel. 200 x 200 x 200 cm.

    Project for Marseillan.

  • From the Darkness

    From the Darkness

    Group Show.

    Mascall’s Gallery

    1st – 23rd May 2010.

    Little St. Peter’s Church, Preston Drove, Brighton BN1 6SD.
    Open daily 11.00 – 15.00 hrs.

    Image: Hidden Dimensions (detail)

  • Sculpture Promenade

    Sculpture Promenade

    Group show.

    The Fitzwilliam Museum

    23rd March 2010 – 30th January 2011.

    Ann Christopher, Angela Connor, Nick Hornby, Mike Lyons, Nick Turvey, Rob Ward.

    Trumpington Street, Cambridge CB2 1RB

    Image: Venus and Chief

  • Venus

    Venus

    2010. Polyurethane rubber, foam & stainless steel. 300 x 140 x 140 cm.

  • Venus

    Venus

    2010. Polyurethane rubber, foam & stainless steel. 300 x 140 x 140 cm.

  • Venus

    Venus

    2010. Polyurethane rubber, foam & stainless steel. 300 x 140 x 140 cm.

  • Chief

    Chief

    2010. Corten Steel & enamel paint. 400 (l) x 135 (w) x 170 cm (h)

    The timeless word ‘Chief’ aims to provoke reflections on our need for heroes, and this toppled giant, slumped in defeat, alludes to propagandist embodiments of power laid low, the pathos of the heroic body. There is something clearly skeletal about the form, which, just like historical or political reputations, appears and dissolves, depending on one’s point of view.

  • Chief

    Chief

    2010. Corten Steel & enamel paint. 400 (l) x 135 (w) x 170 cm (h)

    The timeless word ‘Chief’ aims to provoke reflections on our need for heroes, and this toppled giant, slumped in defeat, alludes to propagandist embodiments of power laid low, the pathos of the heroic body. There is something clearly skeletal about the form, which, just like historical or political reputations, appears and dissolves, depending on one’s point of view.

  • Chief

    Chief

    2010. Corten Steel & enamel paint. 400 (l) x 135 (w) x 170 cm (h)

    The timeless word ‘Chief’ aims to provoke reflections on our need for heroes, and this toppled giant, slumped in defeat, alludes to propagandist embodiments of power laid low, the pathos of the heroic body. There is something clearly skeletal about the form, which, just like historical or political reputations, appears and dissolves, depending on one’s point of view.