2010. Corten Steel & enamel paint. 400 (l) x 135 (w) x 170 cm (h)
The timeless word ‘Chief’ aims to provoke reflections on our need for heroes, and this toppled giant, slumped in defeat, alludes to propagandist embodiments of power laid low, the pathos of the heroic body. There is something clearly skeletal about the form, which, just like historical or political reputations, appears and dissolves, depending on one’s point of view.
Chief
2010. Corten Steel & enamel paint. 400 (l) x 135 (w) x 170 cm (h)
The timeless word ‘Chief’ aims to provoke reflections on our need for heroes, and this toppled giant, slumped in defeat, alludes to propagandist embodiments of power laid low, the pathos of the heroic body. There is something clearly skeletal about the form, which, just like historical or political reputations, appears and dissolves, depending on one’s point of view.
Chief
2010. Corten Steel & enamel paint. 400 (l) x 135 (w) x 170 cm (h)
The timeless word ‘Chief’ aims to provoke reflections on our need for heroes, and this toppled giant, slumped in defeat, alludes to propagandist embodiments of power laid low, the pathos of the heroic body. There is something clearly skeletal about the form, which, just like historical or political reputations, appears and dissolves, depending on one’s point of view.
Undulatory Medium
2009. Acrylic and stainless steel. 100 x 100 x 6 cm.
Commission for St. Helens & Knowsley Teaching Hospital. 19th century scientists believed the waveform of light propagated through a resonant medium called the luminiferous aether, which filled the whole of space. Despite the theory falling out of favour, when aether proved undetectable, the idea remains a potent metaphor for rendering tangible the invisible. In this wall sculpture, an array of illusory volumes is created by the surrounding matrix, embodying many different dimensions of movement, oscillation, and rotation.
Undulatory Medium
2009. Acrylic and stainless steel. 100 x 100 x 6 cm.
Commission for St. Helens & Knowsley Teaching Hospital. 19th century scientists believed the waveform of light propagated through a resonant medium called the luminiferous aether, which filled the whole of space. Despite the theory falling out of favour, when aether proved undetectable, the idea remains a potent metaphor for rendering tangible the invisible. In this wall sculpture, an array of illusory volumes is created by the surrounding matrix, embodying many different dimensions of movement, oscillation, and rotation.