2010. Stainless steel & polypropylene rope. 200 x 200 x 200 cm.
Project for Wuxi.
Everywhere I Go
2010. Stainless steel & polypropylene rope. 200 x 200 x 200 cm.
Project for Wuxi.
Aeolus
2010. Corten steel. 200 x 200 x 200 cm.
Project for Marseillan.
Posy
2009. Stainless steel & lacquer. 320 (w) x 320 (d) x 320 cm (h)
Project for Spitalfields. Flowers are not only a reminder of the mathematics that lurks beneath appearances, but have also always been potent symbols. The title invites the viewer to use that language of flowers to unpick the history of this place.
Ovoid
2008. Steel & bitumen. 14 m (dia.) x 6 m (h).
At high tide, water will slowly begin to spill over the edge, building in volume until it becomes a thunderous cascade. The void is filled and, for a brief time, the sculpture disappears completely. But, as the tide falls, the vessel drains and emerges again, in an endless cycle of renewal, a reminder of change as the only reality.
Ovoid
2008. Steel & bitumen. 14 m (dia.) x 6 m (h).
Project for Belfast. Developed in association with Dewhurst Macfarlane. Shortlisted for lead artwork commission in the Titanic Quarter development.
A giant steel vessel, an ambiguous hybrid of rusty spaceship, lotus bud and industrial relic, seems to hover on the water. As the tide rises, it is slowly submerged and, as this happens, object is transformed into void. Eventually, with waves rippling around its rim, the sculpture becomes a massive, paradoxical hole in the water – a dark, resonant absence, a space of memory, of loss and forgetting, histories both personal and collective.
Big Blue
2008. Stainless steel, glass, water and dye. 250 x 250 x 50 cm.
Project for Bury Divisional Police Headquarters. A giant, blue lens, intentionally reminiscent of a magnifying glass, calls to mind the exploits of beloved, fictional super-sleuths. However, for visitors arriving on foot, the lens frames and magnifies the headquarters, and it is the police themselves that are presented for scrutiny, in a playful take on the idea of accountability.
1st Prize: BCA Innovations in Concrete & 2nd Prize, International Concrete Design Competition. A paving slab whose appearance and texture change in response to pedestrian traffic, creating a visual and tactile record that adds functionality and character. Every pedestrian becomes a participant, inscribing the history of that space’s use, and creating a form of intuitively understood signage.